Imagine you and your F/C are having sex and, regardless of whether they’re fucking you or making love, dominant or submissive, humble or arrogant, quiet or talkative, high & whiny or low & raspy voiced, they are just talking dirty to you. Talking about you, themselves, your body, their body, how you feel, how they feel, what they want you to do, and what they want to do to you. All in explicit detail. Just absolutely filthy. And it makes you see stars.
Imagine making a sex tape with your favorite character. Upon watching it later, you’re stunned by what you view as a slew of unintentionally embarrassing sexual habits on your end: strange faces, squeaky noises, loud cries. During the next encounter, you’re determined to act differently, and as such you’re almost inhumanly more composed than usual. However, your favorite character quickly becomes concerned when they realize that you’re not making all those enticing little noises or giving them those lustful looks that they adore. Worried that they’re not giving it to you good enough, they end up fucking you so hard and so good that you lose your composure anyway.
Imagine your favorite character’s flushed, heated face as you give them amazing oral against a wall. Imagine them tangling their fingers up into your hair, clinging desperately to you with both hands, and their breathless moans and sexual sounds. They buck their hips, rubbing and bumping their back on the wall, as it’s the only think they can do but moan.
Imagine them whimpering because you stop suddenly, and them pulling you back to their arousal by your hair, forcing you to finish the job with an unexpected, dominating demeanor.
You lick up all of their juices/swallow every drop of their cum and afterwards you two head off to bed to cuddle.
Writing couples is both enchanting and exhausting. How do you make people ship your couple? How do you make them an OTP? How do you make your couple matter to the story? Or matter at all? To answer all these questions, I’ll explain three major must-have characteristics for couples:
1. Realism
Falling in love is a slow process. It’s different from person to person. People are flawed. Relationships are flawed. People make mistakes. People fear rejection. Not everyone will find their soulmate exactly when they need most. People show love in different ways. People are not flirty all the time. Realism is important. Development is essential.
When writing a couple, visualize yourself as one of the characters (or
both). Imagine their love story as if it was happening to you in real
life. See how different it goes? Maybe not as fast and a thousand times
clumsier, but also charming and interesting.
Example of strong realism: Carl and Ellie (UP), they take a lifetime to mature their love and mutual respect. Neither are perfect. The relationship goes through bad times, but their love only grows.
Example of weak realism: Caine and Jupiter (Jupiter Ascending), they fall in love in two or three days, not enough scenes are dedicated to developing the relationship. In the end, it feels strange.
2. Balance
Give your couple opposite but complementary features. This is basically the Yin-yang symbolism that a lot of stories shows. If one character is all love-and-peaceful, maybe the other is a furnace of anger. If one traveled the whole world, maybe the other never left their village. If one is a millionaire, maybe the other is homeless. If one is short with dark hair, maybe the other is tall with light hair. However, no matter how opposite they are, always keep the balance. One shouldn’t overshadow the other. They must shine together, but also as individuals.
Example of strong balance: Fix-it Felix Jr. and Sargent Calhoun (Wreck-It Ralph), they belong to different worlds, they would probably never meet. He is a sweet pie that always tries his best, a peacemaker. She is, on the other hand, an explosion, a warrior. They are both relevant in achieving victory. Also, both are the heroes of their own games.
Example of weak balance:
Sasuke and Sakura (Naruto), he is way more powerful than her, he doesn’t respect her as a ninja, he doesn’t like working with her. He tried killing her more than once and was never sorry about that. She accepts being overshadowed. She lacks character development compared to Sasuke. There is no opposite-complementary features tying them. It’s unbalanced.
3. Synergy
Make them work together. Make them accomplish common goals. Make them a power duo. Make them laugh of the same jokes. Make it easy and natural for them to be together, talking, sharing and having a good time. Make their conversations flow. Make it easy to touch, and stare, and embrace, and kiss. Make their mind and body work together.
Example of strong synergy: Cat Noir and Ladybug/Adrien and Marinette
(Miraculous Ladybug), they are the heroes of Paris. No, they are partners in saving the world. It doesn’t feel uncomfortable when they interact, fight and save each other. It feels right. It feels natural. You crave for interactions.
Example of weak synergy: Kim Tan and Eun-Sang (The Heirs), they are the type of couple that are always fighting, but sometimes indulge in a passionate kiss. However, there’s no synergy between these characters. They are never on the same page. They are never partners. The magic of their relationship never sparkles. Even their kisses are uncomfortable to watch.
Now, think of your favorite couples (even non-canon ones) and try spotting the realism, the balance and the synergy in them. If you ship it,I’m pretty sure it’s there.
Try applying these characteristics to your next writing.
Do you suppose the room gets quiet when he removes his coat and shirt, with the men looking enviously (or maybe even a bit of lust) and the women trying to act proper Victorian ladies and keeping the squeeing to themselves? Or does it explode with cheers, because even though Jacob Frye is getting ready for fight club he may as well be performing an early version of a striptease? ( ͡° ͜ʖ ͡°)
Grazie for sharing, my dear! We here at La Rosa in Fiore always support fans who want to nurture their talents. ♥
someone submitted a confession recently about how they went from liking Connor’s face to thinking he’s not that good looking while playing, and i agree, but i wanted to confess this with a little more anonymity than a reblog provides. i didnt think Connor was all that attractive until my mom pointed out while i was playing that he appeared to be very well endowed in the nether regions. after that, i realized i saw him as way more attractive. i found it pretty odd that my mind changed that way, that is not usually how i am, im not the type of person who becomes more attracted to someone based on the size of their……gift. i guess Connor’s just a special circumstance.
